A voice you can stop worrying about
You have sat through the audition pile. A hundred reads that all sound like the same announcer, a great demo that turns into a flat session, a beautiful file that shows up late, mislabeled, with noise under it. Finding the voice is supposed to be the fun part of the project, and somewhere along the way it became a risk to manage.
I built my whole studio and process around removing that risk.
What You Get
A read that connects.
Not announcer polish and not a costume. A real person inside your brand’s moment, specific and directable. In 2025 that standard won the One Voice Award for Best Commercial Performance (TV/Web) and a nomination for Voice Actor of the Year.
A session that runs like a production.
Briefs read closely, questions asked before the session instead of after, sessions that start on time, and alternates with genuinely different intentions so your editor has real choices.
Files you never have to fix.
Broadcast-ready audio, clean, labeled, on spec, delivered fast, often same day. The sound you approved in the audition is the sound in the finals.
Why I Work This Way
I came to this booth through boardrooms.
Before I voiced brands, I spent years inside corporate teams as a consultant and project lead, the person responsible for stakeholders, deadlines, and deliverables that could not slip. I learned to read what a room actually needed underneath what it said it wanted, to ask the right questions before the work started, and to deliver in a way that made people want to work with me again.
Then I found the craft that used all of it. Voice acting asks for the performer’s instinct and the professional’s discipline in the same person, and that combination is rarer than it should be. The performance is what you hear. The process is why producers relax after the first session.
I am a Black male voice actor, and casting specs ask me for “authentic” every week. Here is what that word means in my booth: sounding like a real person who belongs inside your brand’s moment. Specific, current, directable, and never a stereotype of what a Black voice is supposed to sound like. If your creative team cares about getting that distinction right, you will feel the difference in the first take.
The Studio
Broadcast-ready from my booth in New York City.
Every session, audition, and pickup runs through the same chain in the same treated room, which is why pickups match and turnaround stays fast.
- Microphone
- Sennheiser MKH 416
- Interface
- Universal Audio Apollo Twin X
- DAW
- Adobe Audition
- Connections
- Source Connect (ID: kerichocorry) for live-directed sessions at full broadcast quality, with Zoom or Meet alongside for the creative team
- Delivery
- Clean, labeled files on spec, fast turnaround, often same day
How It Works
Send the brief.
Script, platforms, timeline, and any reference direction through the contact form.
Record or direct live.
Book a Source Connect session and direct in real time, or send notes for a self-directed read with real alternates.
Ship it.
Broadcast-ready files, fast pickups, and a voice your client remembers.
Your next project needs a voice. Let’s make it this one.
Send the script, the platforms it will run on, and the deadline, and I will come back quickly with next steps and a read plan. If you want to hear the fit first, the demos are one click away.